The Gramscian Moment

Peter Thomas, The Gramscian Moment

Peter Thomas’s The Gramscian Moment is probably the highlight to date of a revival in studies of the Italian Marxist philosopher that has been gathering pace for the past twenty years or so. This revival has been accompanied (and enabled) by Joseph Buttigieg’s edition of the Prison Notebooks, translated into English for the first time in more or less unexpurgated, uncondensed form. The third volume of this massive effort only appeared in 2007. Hitherto, the Anglophone world had to rely mostly on Quintin Hoare and Geoffrey Nowell Smith’s Selections from the Prison Notebooks (1971), plus a few other collections. Given the immense influence that some of Gramsci’s key concepts–not least, the notion of “hegemony”–has had on so many fields, it’s amazing that it has taken so long for his work to be fully available. Or to put this another way: never perhaps has any cultural critic been cited so much and yet been read so little.

Not, however, that the full publication of the Prison Notebooks resolves all the many obstacles to interpreting the text. For they are indeed “notebooks,” famously fragmentary, with numerous repetitions and rewritings, compiled in the most arduous conditions and left unfinished (if indeed by that time there was any thought that they could be completed) at Gramsci’s death. As Buttigieg notes, then, the temptation is to try to “reconstruct” the final text that Gramsci may have written had he been able to do so:

Whenever this takes place, the notebooks become a happy hunting ground from which one picks what is ‘important’ and discards what is deemed ‘incidental’–and, of course, everyone accuses everyone else of not having identified the ‘right’ fragments and the ‘correct’ relations between them. (“Introduction.” Prison Notebooks Vol. 1. 63)

And through Thomas quotes approvingly from Buttigieg on this point (and many others), arguing that Gramsci’s work is necessarily incomplete, he is equally keen to assert that the notebooks “have a fundamental coherence” (46) and cannot simply be harvested willy-nilly for any and every project on the Marxist or post-Marxist Left.

On the contrary: Thomas’s contribution is a battling intervention that seeks to rewrite and recast Marxist theory for contemporary times. Specifically, he plays off two antagonists: Louis Althusser, whose critique of Gramsci in the 1960s he describes (following André Tosel) as “the last great theoretical debate of Marxism” (8); and Perry Anderson, whose famous 1976 article “The Antinomies of Antonio Gramsci” he excoriates for its sequence of supposed misreadings.

Thomas clearly has rather more respect for Althusser than for Anderson, and the vehemence of his criticism of the latter is at times surprising and certainly excessive. The argument is essentially that Anderson blames Gramsci’s apparent incoherence for the subsequent rise of a form of Western Marxism that focuses on civil society rather than the state, culture rather than politics. This shallow, bastardized Gramscianism then posits hegemony as merely a matter of persuasion and ignores the continuing importance of coercion even in the West. Thomas argues, however, that this claim that Gramsci’s own hestiations and “antimonies” are to blame for the uses to which he is put rests on inadequate attention to the Prison Notebooks‘ complex textual history. At the same time he admits that “it could indeed be objected that there is a certain amount of pedantry” involved in his detailing Anderson’s supposed interpretative errors so exhaustively, not least “now, at a distance of thirty years” (82).

One might add that Thomas’s vehemence is even odder given that he and Anderson seem to agree in all the fundamentals. For they both have the same vision of what Gramsci might ideally have said: the only difference is that Thomas claims to have found it, whereas for Anderson it is sadly missing. And they both seek this “ideal Gramsci” in order to short-circuit the link that quasi-naturally gave us Eurocommunism on the one hand and the likes of Ernesto Laclau and Chantal Mouffe on the other. In other words, they both seek a Gramsci who is “posthegemonic” in so far as he would be clearly distanced from the appropriation of the term “hegemony” that has been dominant in cultural studies (and elsewhere) since the 1970s, and that I detail at some length in my own book, Posthegemony.

In fact, Thomas has very little to say about hegemony. And when he does come to define the concept, he hardly distinguishes himself from those with whom he is otherwise in such bitter disagreement: Hegemony, he tells us,

emerges as a new “consensual” political practice distinct from mere coercion (a dominant means of previous ruling classes) on this new terrain of civil society; but, like civil society, integrally linked to the state, hegemony’s full meaning only becomes apparent as the social basis of the dominant class’s political power in the state apparatus, which in turn reinforces its initiatives in civil society. The integral state, understood in this broader sense, is the process of the condensation and transformation of these class relations into institutional form. (144)

Honestly, I scarcely see (say) Stuart Hall, Dick Hebdige, Larry Grossberg, or any other proponent of cultural studies disagreeing with this characterization. What’s more interesting here is that, over the course of a few lines, what begins as a definition of hegemony swiftly becomes instead a description of the “integral state.” And, when it comes to politics, that is where Thomas’s interests lie: his is a Gramsci of the integral state and “passive revolution” far more than a Gramsci who would be the founding figure of hegemony theory. Consistently, systematically, Thomas downplays the importance of hegemony to Gramsci, and indeed of Gramsci to hegemony (stressing by contrast the term’s Leninist credentials).

But it is in the debate that he stages with Althusser that Thomas reveals the heart of his reconceptualization, and this is where the book is at its best and most intriguing. For whereas others have taken the Prison Notebooks’ description of Marxism as the “philosophy of praxis” to be a euphemism or (frankly, not very convincing) attempt to evade the Fascist censors, Thomas proposes to take the term with utter seriousness, and to reclaim Gramsci for philosophy. He wants, in short, to put the “philosophy” back in to the philosophy of praxis. And in that this was the terrain on which Althusser pressed most hard, it is here that Thomas fights hardest to redeem what he sees as the three key tenets of Gramsci’s thought: historicism, immanence, and humanism. For Thomas, Gramsci radicalizes and absolutizes each of these terms. And so he concludes, summing up the book as a whole:

This study has argued that the “Gramscian moment” of 1932 explored the themes of the Theses on Feuerbach by means of the concepts of ”absolute historicism,” “absolute immanence” and “absolute humanism.” These concepts should be regarded as the three “attributes” of the constitutively incomplete project of the development of Marxism as a philosophy of praxis. Taken in their fertile and dynamic interaction, these three attributes can be considered as brief resumes for the elaboration of an autonomous research programme in Marxist philosophy today, as an intervention on the Kampfplatz of contemporary philosophy that attempts to inherit and to renew Marx’s original critical and constructive gesture. (448)

It’s worth noting, however, two things. First, this return to the “Gramscian moment” is also undoubtedly a return to what Thomas himself terms the Althusserian moment that put concerns about historicism, immanence, and humanism on the map. Unlike Anderson (or Thomas’s version of Anderson, at least), Althusser proves a worthy antagonist and the serious engagement with his thought is one of this book’s highlights. In fact, hidden within what is often a ponderous and repetitious tome on Gramsci are the elements of a short but smart take on Althusser that reminds us of the French philosopher’s decisive contribution to our considerations of the relationship between philosophy and Marxism.

Second, as Thomas engages with Althusser, his own account comes closer to what we associate with French structuralism and post-structuralism, with curious effects on his account of politics as well as philosophy. For instance, he has increasing recourse to Spinoza as justification for his construction of Gramsci’s immanentism and historicism–and yet it is Althusser, rather than Gramsci, who is most associated with the Dutch marrano. Moreover, mentions of “hegemony” fall away even more markedly than before, replaced by invocations of “the molecular, individualizing logic of disaggregation endemic to the passive revolution” (424) or of the logic of habit and personhood, of “states of mind or ‘beliefs’ that are as strong as material facts” (404), that remind us still more of Foucault and even Deleuze and Guattari.

In sum, Thomas’s points us towards a Gramsci that would be a curious beast, but not unwelcome for all that: a posthegemonic Gramsci that returns us to seminal French debates of the 1960s and 1970s but also indicates perhaps new ways of conceiving politics as well as philosophy now that civil society is definitively withering away.

2 thoughts on “The Gramscian Moment

  1. Great post indeed, Jon. I know a bit about fascist censorship and I fully agree with you. As for the fragmentary nature of the Quaderni – it goes back, in my opinion, to the experimental, futurist/vociani, example as well as to the 1920s underground Italian Imaginista/youth culture scene Gramsci certainly had in mind (this on top of his obvious rejection of Croce). The fragmentary, repetitive nature of the Quaderni is fundamental to their understanding. Thanks for posting.

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