Thanks to Kinsey Lane Sullivan in PolicyMic for her profile of Ramiro Gómez, a Los Angeles artist and (ex?)nanny whose ongoing project “Happy Hills” is devoted to “documenting the predominantly Hispanic workforce who work tirelessly behind the scenes to maintain the beautiful imagery of these affluent areas.”
Gómez’s technique involves a) installations featuring cardboard cut-outs of otherwise overlooked service workers (leaf-blowers, cleaners, nannies) in public places and so plain sight and b) interventions into images of pristine homes, taken mostly from magazines and adverts (but also occasionally high art) to reinsert the figures of domestic labour that have been erased or marginalized but without whom none of this would exist.
I particularly like this image, “Portrait of an Affluent Family”:
The funny thing is that, according to a note on Gómez’s Facebook page, so does the man pictured with his family. I’m not entirely sure what we can gather from that.